PRAEAMBULUM (WP)

January 31 – february 3, 2013, Dansens Hus, Oslo, Norway
Ingun Bjørnsgaard
Julia Strelchenko – piano

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READINGS OF MR. G

November 8, 2012, Kulturhuset Tromsø, Norway
Jennifer Torrence – percussion/voice
Tromsø Chamber Orchestra
Rolf Gupta – cond.

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MUGETUFT

October 31, 2012, Bidrobon, Biermanngården, Oslo
Tellef Øgrim – live electronics, guitar
Henrik Hellstenius – live electronics
Peter Knudsen – live visuals

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Å SYNGE OLAVS DRAUMAR (WP)

September 20, 2012, Stavanger Concert House, Stavanger, Norway
Composition of texts by Jon Fosse for singers and actors
Silje Aker Johnsen, Ruth Wilhelmine Meyer, Anders Dale, Svein Solesnes
Director: Mette Arnstad

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EXERCISES AND ESSAYS

August 16, 2012, Oslo National Academy of The Arts, Norway
Njål Sparboe – barytone
Victoria Johnson – violin
Erlend Habbestad – cello
Julia Strelcheno – piano
Hans Kristian Kjos Sørensen – percussion

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Et Moderne Sted

June 12–15, 2012, Oslo National Academy of the Arts, Norway
Dance performance by Ingun Bjørnsgaard
Orchestra of The Norwegian Opera and Ballet

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FRAGMENTS OF A TEACHING (wp)

June 3, 2011, Logen, Bergen International Festival, Logen, Norway
Christian Immler – baryton
Florian Donderer – violin
Gro Lovdahl – viola
Tanja Tetzlaff – cello
Hans Kristian Kjos Sørensen – percussion

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IN MEOMRIAM (wp)

April 19, 2012, Verdensteateret Tromsø, Norway
Tromsø Chamber Orchestra
Peter Szilvay conductor
Peter Herresthal – violin

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SELFPORTRAIT IN BRIGHT LIGHT

February 27, 2012, Melbourne Conservatory of Music, Melbourne, Australia
March 1, 2012, The Australian National University, Canberra, Australia
Pinquins Percussion Trio

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THE ARGONAUT

November 15, Ny Musikk. Oslo
November 15, Grønland Caféteater, Oslo
November 20, LiteraturHaus, Copenhagen
Emily Fowler – violin

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FIVE IMPRINTS OF TIME

October 25, Rud vgs, Bærum
October 26, Toneheim Folkehøgskole, Hamar
October 27, Manglerud vgs, Oslo
October 28, Norwegian academy of Music, Oslo
Current Saxophone quartet

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HERITAGE

September 23, Researchers Night Teknisk Museum, Oslo
October 18, Artistic research program, Oslo
November 6, Norwegian Academy of Music, Oslo
Sunniva Wettre – Harp

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LOVE SONGS

September 16, 2011, Bodø Concert House, Bodø, Norway
Bodø Sinfonietta
Rolf Gupta – conductor

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Article on THE THEATRE OF THE EAR in Ballade

«I Ørets teater er scenografi, lys, video og projisering inkludert som storleikar i konsertane.
Hellstenius eksperimenterer med plasseringa av utøvarane – og med teksturar i rommet. Ein dag vil det vera gras på golvet. Ein annan dag sit utøvarar og publikum kring eitt og same bord.» (Ballade, 23. 5. 2011)

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Festspillene i Bergen

The Bergen International Festival has invited the composer Henrik Hellstenius to be in charge of four concert performances. He has called the series The Theatre of the Ear*.
In these four concert performances he has placed his own music and that of others in various thematic settings, all of which involve an encounter between the music and the stage elements in the form of video, text, lighting or movement.

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READINGS OF MR. G

May 28, 2011, Logen, Bergen International Festival, Logen, Norway
Hans Kristian Kjos Sørensen – percussion
Ensemble Allegria/Michael Bartosch

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VICTORIA COUNTING

8 april 2011, Teatr Weimar, Malmö, Sweden
28 march 2011, Norwegian Academy of Music, Oslo
Victoria Johnson – el violin
Edvin Østvik – sound design

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READINGS OF MR. G

4 march 2011, Norwegian Academy of Music, Oslo
Hans Kristian Kjos Sørensen – percussion
Allegria Ensemble
Michael Bartosch – conductor

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SELFPORTRAIT IN BRIGHT LIGHT

February 5, 2012, Ilios Festival, Harstad, Norway
March 2, 2012, Vinterlyd festival, Norwegian Academy of Music, Oslo
Cikada String Quartet
Hans Christian Bræin – clarinet
Natali Garner – voice

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HI-OPHELIA

26 january 2011, Societaetstheater Dresden, Germany
12 december 2010, Norwegian Academy of Music, Oslo
Ensemble El Perro Andaluz
Lennart Dohms – conductor

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A philosophical talk

«The good thing is that when music is
juxtaposed and interlaced with other elements,
the purely musical experience can be brought
into dialogue with other aspects of the listener’s
inner self and personality.»

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