Innlegg av Edi Tor
On a windy day from Ophelias: Death By Water Singing
Choreographic piano work by Henrik Hellstenius, Ellen Ugelvik and Kristin Ryg Helgebostad.
Les merThe Hands. The Double
Choreographic piano work by Henrik Hellstenius, Ellen Ugelvik and Kristin Ryg Helgebostad.
Les merPoliteness and cooperation
Henrik Hellstenius · Politeness and Cooperation Norwegian Soloist Choir – conductor Marina Batic
Les merNokon Kjem til å Komme
Review scenekunst.no
Les mer“Preparing composers for the art” interview in Pling Magazine
PLING_Preparing-composers-for-art-2
Les merMusic with the Real interview in Pling Magazine
PLING_An-expanded-palette-2
Les merHi-Ophelia!
March 4, 2018, Cleveland Museum of Art, USA
Oberlin Contemporary Music Ensemble
Tim Wiess -conductor
Interview at nmh.no
(Picture from cooperation between Høyskolen for Dansekunst and the Norwegian Academy of Music in 2017) Interview at nmh.no
Les merIntervju på hjemmesiden til Norges Musikkhøgskole
Klargjør komponistene for kunsten.
Les merIntervju i Plong og Forskning.no
Utdanner vi håndtverkere eller kunstnere?
Les merAs if the law is everything
Text by Øyvind Rimbereid Such was the first law: To promise, Such was the first law: To be there To be that promise. And to keep it. Such is the opening text line from the last section of the song cycle As if the law is everything, with music by Henrik Hellstenius and text…
Les merAs if the law is everything
Henrik Hellstenius · As If The Law Is Everything Tora Augestad/ BFO/Gardner
Les merAs if the law is everything
November 23, 2017 Grieghallen, Bergen, Norway Tora Augestad -mezzo soprano Edward Gardner – conductor Bergen Philharmonic Orchestra
Les merAs if the law is everything (wp)
November 23, 2017, Grieghallen, Bergen
Tora Augestad -mezzo soprano
Edward Gardner – conductor
Bergen Philharmonic Orchestra
Up and Away (wp)
September 15, 2017, Ultima Festival, Oslo
Barratt Dues Juniororkester
Up and away
Piece for amateur string orchestra, commissioned by Barratt Dues Juniororkester.
Les merInstrument of Speech
17 August 2017, Festival Musik21, Sprengel Museum Hannover, Germany
Asamisimasa: Kristine Tjøgersen, Anders Førisdal, Håkon Stene, Ellen Ugelvik, Tanja Orning.
Instrument of Speech at Utopia of Access
16 June, 2017 Utopia of Access Sala del Camino, Venice, Italy
Asamisimasa
The Golden Shield
Performed by Karoline Vik Hegge, viola and Finn Magnus Fjell Hjelland, piano. Visual design and installations by Vvzela Kook. This duo for viola and piano was commissioned by Risør Festivalen 1996, and written for Leif Ove Andsnes and Lars Anders Tomter. It was later made into a version for percussion and viola. performed by Hans…
Les merRecording of Instrument of Speech
12-13 June, 2017, Jar Church, Jar, Norway
Asamisimasa
The Argonaut
June 8, 2017. June in Buffalo Festival, Buffalo, USA
Irvine Arditti
Rift (wp)
June 7, 2017, June in Buffalo Festival, Buffalo, USA
The Mivos Quartet
Unfolded as it were (wp part I)
June 5 2017, June in Buffalo Festival, Buffalo, USA
Cikada String Trio
Trio de Danse at North Atlantic Flux
April 30, 2017, John Grants North Atlantic Flux: Sounds from Smoky Bay, Queens Hall, Hull, UK
Pinquins
Søkk
April 15, 2017, University of Iowa, USA
February 7, 2017. Bryan Recital Hall, Bowling Green, Ohio, USA
Panagiotis Andreoglou – accordion
Trio de Danse – new video
October30 2016, Cycle Music & Art Festival, Kópavogur, Iceland
Pinquins
Nordsending
The golden shield
March 4, 2017 Ørlandet Kultursenter, Ørlandet Norway
March 5, 2017 Erkebispegården, Trondheim, Norway
March 10, 2017 Sund Folkehøgskole, Sund, Norway
March 11, 2017 Kimen Kulturhus,Stjørdal, Noway
Karoline Vik Hegge -viola
Finn Magnus Fjell Hjelland -piano
Rift on new CD from BIS with Trio Aristos
String trio RIFT on new CD from BIS recorded by Trio Aristos:
Szymon Krzeszowiec – violin
Jakob Kullberg – cello
Alexander Øllgaard – viola
Trio de Danse
Performed by Pinquins at Salurinn Music Hall, Cycle Music and Arts Festival 2016, Reykjavik, Iceland
Les merSøkk
Henrik Hellstenius · Søkk Panagiotis Andreoglou – accordion
Les merNRK P2 Radio Program about «Ophelias: Death By Water Singing»
Radio program about «Ophelias: Death By Water Singing» in NRK P2 (in Norwegian). Interview with Elisabeth Holmertz and Henrik Hellstenius
Les merThe Argonaut
Henrik Hellstenius · The Argonaut
Les merInstrument of Speech
Henrik Hellstenius · Instrument of Speech Asamisimasa
Les merFive Imprints of Time III. 5
Henrik Hellstenius · Five Imprints Of Time III- 5.Almost Immobile
Les merFive Imprints of Time III. 4
Henrik Hellstenius · Five Imprints Of Time III- 4.Precisely Ticking
Les merFive Imprints of Time III. 3
Henrik Hellstenius · Five Imprints Of Time III- 3.Floating And Freezing
Les merFive Imprints of Time III. 2
Henrik Hellstenius · Five Imprints Of Time III – 2. Breathing
Les merFive Imprints of Time III. 1
Henrik Hellstenius · Five Imprints Of Time III – 1.Intensly Floating
Les merTexts on Ophelias: Death By Water Singing
Are Furubotn: «Ophelias Døende» Intervju med Eivind Buene Intervju med Cecilie Løveid og Henrik Hellstenius
Les merCD: «Readings of Mr. G»
VG, Aftenposten, Bergens Tidende
Les merPraeambulum V
Henrik Hellstenius · Praeambuum V
Les merThe golden shield
Henrik Hellstenius · The Golden Shield
Les merPraeambulum IV
Henrik Hellstenius · Praeambulum IV
Les merPraeambulum III
Henrik Hellstenius · Praeambulum III
Les merPraeambulum II
Henrik Hellstenius · Praeambulum II
Les merPraeambulum I
Henrik Hellstenius · Praeambulum I
Les mer«Ophelias: Death By Water Singing» nominated for Spellemann award 2016
Recording of chamber opera «Ophelias: Death By Water Singing», by Cecilie Løveid and Henrik Hellstenius,
nominated for Norwegian Spellemann award 2016. Performed by Elisabeth Holmertz, Tora Augestad, Ivan Ludlow,
Ebba Rydh, Janna Wettergren, Cikada and conducted by Christian Eggen.
Readings of Mr. G
March 6, 2015 Oslo Concert Hall, Oslo, Norway Hans Kristian Kjos Sørensen – percussion and voice Peter Knudsen – video Oslo Philharmonic Orchestra/ Christian Eggen – conductor
Les merReadings of Mr. G – interviews and excerpts
March 6, 2015 Oslo Concert Hall, Oslo, Norway Hans Kristian Kjos Sørensen – percussion and voice Peter Knudsen – video Oslo Philharmonic Orchestra/ Christian Eggen – conductor
Les merAbout Nature – Seismograf/ Aftenposten/ Ballade/Minerva
Review Seismograf Review Aftenposten Review ballade.no Review Minerva
Les merA Quiet Space (for orchestra)
A Quiet Space (for orchestra)
Henrik Hellstenius · A Quiet Space(for orchestra)
Les merIn Memoriam / Like Objects in a Dark Room – Dagbladet
Fredriksen/Hellstenius IV
6 december 2009 Henie Onstad Art Center, Norway FREDRIKSEN/HELLSTENIUS/CIKADA Videos by Hilmar Fredriksen Music by Henrik Hellstenius CIKADA Ensemble “Hi-Ophelia!” “Imprints” “Four short pieces for ensemble (wp)”
Les merFredriksen/Hellstenius II
6 december 2009 Henie Onstad Art Center, Norway FREDRIKSEN/HELLSTENIUS/CIKADA Videos by Hilmar Fredriksen Music by Henrik Hellstenius CIKADA Ensemble “Hi-Ophelia!” “Imprints” “Four short pieces for ensemble (wp)”
Les merFredriksen/Hellstenius III
6 december 2009 Henie Onstad Art Center, Norway FREDRIKSEN/HELLSTENIUS/CIKADA Videos by Hilmar Fredriksen Music by Henrik Hellstenius CIKADA Ensemble “Hi-Ophelia!” “Imprints” “Four short pieces for ensemble (wp)”
Les merFredriksen/Hellstenius I
6 december 2009 Henie Onstad Art Center, Norway FREDRIKSEN/HELLSTENIUS/CIKADA Videos by Hilmar Fredriksen Music by Henrik Hellstenius CIKADA Ensemble “Hi-Ophelia!” “Imprints” “Four short pieces for ensemble (wp)”
Les merIn Memoriam / Like Objects in a Dark Room – Gramophone
The Golden Fleece
Dance performance by Ingun Bjørnsgaard Karin Hellquist – violin
Les merPlaces of Sounds and Words
Elisabeth Holmertz /Cikada Video Peter Knudsen
Les merHeritage
Sunniva Rødland – Harp
Les merFraming Time
https://www.youtube.com/watch?v=KNpgeW-zWVA
Les merLoven / The Law
Henrik Hellstenius · LOVEN / THE LAW
Les merFive Imprints of Time II
“Five Imprints of Time II” is written for three percussionists and consists of five movements or imprints of time. Each movement «moves» time in its own way, leaving behind an imprint of the new moulding of time.
Les merInstrument of Speech
May 26, 2016 Cornerteateret, Festspillene i Bergen Asamisimasa Ellen Ugelvik, Kristine Tjøgersen, Tanja Orning, Anders Førisdal and Håkon Stene
Les merTheatre of the Ear: 24h/ grass – Frankfurter Allgemeine Zeitung
Ophelias: Death By Water Singing – Klassekampen
In Memoriam / Like Objects in a Dark Room – Klassekampen
Like Objects in a Dark Room – Dagbladet
Ophelias: Death By Water Singing – Music Web International
Still Panic
April 14, 2016 Grieghallen, Bergen, Norway Diego Lucchesi – bass clarinet Bergen Philharmonic Orchestra Edvard Gardner – conductor
Les merLoven /The Law
November 27, 2014, Oslo Concert Hall LOVEN (THE LAW) WP Text by Øyvind Rimbereid Tora Augestad – mezzo-soprano, Ander Mordal – actor, Boya Bøckmann – video, Tormod Carlsen – stage direction Oslo Philharmonic Orchestra/Christian Eggen – conductor
Les merPraeambulum
Love Songs
December 1, 2016, Stormen, Bodø, Norway
NOSO Sinfonietta/ Cathrine Winnes – conductor
Trio de Danse
Salurinn Music Hall, Cycle Music and Arts Festival, Reykjavik, Iceland
Pinquins Percussion Trio
Praeambulum in Indonesia
October 15 – 16, 2016, Black Box Theatre, Salihara, Jakarta, Indonesia
Dance performance by Ingun Bjørnsgaard with music by Henrik Hellstenius performed by Julia Strelchenko, piano.
Å synge Olavs draumar
Victoria Teller
Victoria
Tre bevegelser
Piece for amateur string orchestra, commissioned by Barratt Dues Juniororkester.
Les merTil Arne Nordheim
Three Miniatures
Theatre of Sleep
The Golden Shield
This duo for viola and piano was commissioned by Risør Festivalen 1996, and written for Leif Ove Andsnes and Lars Anders Tomter. It was later made into a version for percussion and viola. performed by Hans Kristian Kjos Sørensen and Gro Løvdal. The title refers to the mothers´ womb protecting the unborn infant. Seen on images…
Les merSpintop Music
Songs From the Outside
Slideshow
skal skje / Det / har skjedd
Sigis
Sera, English version
Sera
Synopsis The Chorus – Lilith’s (invisible) Sect – praises the beautiful Silence. Lilith enters, and together with The Sect she praises and thanks God. God, resigned and with a cold, wanders around in his own heaven, listening to prayers in all the languages of the world. An angel, the childish and playful messenger Sera, makes…
Les merProforma
Pour Gerard Grisey
Dette stykket ble i sin tid skrevet for Cikada Duo i år 2002 som en hyldest til den franske komponisten Gérard Grisey som var Hellstenius´ lærer i komposisjon i 1993-93. Siden ble stykket totalt re-komponert til det franske ensemblet Court Circuit våren 2004, og det er denne versjonen som utframføres på Ultima. Verket har ingen…
Les merPersonality and Essence
O’Vos regales virtutes
O’Virtus Sapentia
Når den ny vin blomstrer
Noe der
Nachruf
Musikk til TV serie i NRK : Syv dager i Oslo II
Musikk til TV serie i NRK : Syv dager i Oslo I
Lyd – en lyd
Merry Well
Long Pilgrimage
Dedicated to Lilli Hellstenius Long Pilgrimage was written in 1994, in the memory of a woman who spent most of her life seeking for an inner true meaning in life, and who lived according to her ideas. The music is in no sense a description of her person or her life as a narrative, rather…
Les merLise L.
Karitas Habundat
Kall meg en krakk
Improvisation I & II
Disse to små stykkene for amatør-strykeorkester er skrevet som løse, improvisatoriske stykker. Improvisasjonen ligger i komposisjons-prosessen, og ikke i notene for musikerne. Det er komponisten som har sittet og improvisert og lekt seg med de akkorden og linjene som er blitt til disse stykkene. Den første improvisasjonen består av gjentatte fraser og toner som skaper…
Les merImprovisasjon over Karitas
Hesteguden
Five Imprints of Time III
This piece for cembalo solo is a version of Five Imprints of Time, first made for saxophone quartet, then percussion trio. It was originally made for the dance performance «Pli a Pli» by Ingun Bjørnsgaard.
Les merFase en
Evighetsmaskinen
Dream of Late
Dansemusikk ’92
Concerto for Ensemble and Orchestra
Colos for korps
Between Two
”Between two” is written in the form of a spiral in time. The harmonic material and the soundmaterial is circulated in an oblique way, making the piece rotate around a small amount of longer and shorter harmonic stratas and soundobjects. This material is then composed into three different types of events which the piece consists…
Les merAs Above So Below
…And it became tangled….again
Places of Sound
Ophelias: Death by Water singing
Self Portrait in Bright Light
This quartet piece was written for clarinetist Hans Christian Bræin and Cikada String quartet. Together with a text which can be performed by narrator or pre recorded sound files, it forms a small narrative and a reflection about the difficulties of being really present in ones own life. The text is partly written by the…
Les merFragments of a Teaching
Four Fragments
Four Fragments ble skrevet til Nordic Voices i 1999. Stykket var ment både å inngå i operaen Sera og stå som eget stykke som Nordiv Voices kunne fremføre på konsert. Ettersom opprinnelsen for stykket var operaen ble tekstene skrevet opp mot tematikken i Sera, som er en konflikt mellom støy og stillhet. Four Fragements er…
Les merAs the Last Blow Falls
The Argonaut
THE ARGONAUT I my sea-journey I my land-claim My Walk through the suburbs I My death In the rain of bird-muck In the chalky hide The anchor is the last umbilical cord The memory of the coast passes away with the horizon Birds are a farewell Are a homecoming The slaughtered tree plows the snake…
Les merSøkk
The piece was composed in 1990/91 and the tape part was made in the electronic studio at The Norwegian State Academy of Music. The piece evolves around five harmonic “hollows” (or Søkk in Norwegian). These hollows are easily identified as the five low pitches that the accordion and the tape reaches during the piece. The…
Les merReadings of Mr. G. – solo percussion version
Essais sur le temps double
Stirrings Still
The title Stirrings Still was taken from one of Samuel Beckett´s last text by the same name. «Still movement» and «movable stillness» are the two possible interpretations of the title. In the piece this reluctant motion is expressed in the relationship between the static harmony and the vivid movement. The music is not intended to…
Les merRicercare for cello and tape
Remains
Ombra della Sera
I noen av sine siste stykker har Henrik Hellstenius jobbet med ”lesninger” av favoritt komponisters verk, eller fragmenter av verk. Readings of Mr. G, som ble spilt på Ultima I fjor med Det Norske Kammerorkesteret og Hans Kristan Kjos Sørensen som solist, var en lesning av et verk av den franske komponisten Gérard Grisey. Ombra…
Les merIn the Belly of a Dancer
Våren 2008 skrev jeg ballettmusikk til åpningen av den nye operaen i Oslo, og IN THE BELLY OF A DANCER er en direkte videreføring av det arbeidet. Jeg har gjennom mange år samarbeidet med dansere og koreografer og er dypt fascinert av deres måte å kunne veksle mellom den abstrakte dansen og det konkrete uttrykk…
Les merImprints of Time II
Imprints
Imprints består av fem frittstående satser som hver fyller en begrenset musikalsk problemstilling. De er skrevet til Ingun Bjørnsgaard Prosjekts forestilling ”THE AFTERNOON AND THE OTHERS”. Og i forhold til arbeidet med forestillingen ble materiale og energi i hver av satsene utviklet for å kunne gå i dialog med Bjørnsgaards koreografiske språk. Som andre av…
Les merFraming Time
Fem Avtrykk av Tiden
Fem Avtrykk Av Tiden består av fem satser eller tidsavtrykk. Hver sats har sin egen prosess eller tidsutvikling. Når disse fem prosessene eller tidsutviklingene er til ende har de «beveget» tiden på fem ulike måter og skapt et avtrykk av hvordan tiden er blitt formet i vår hukommelse. Satsene er ulike i uttrykk men kretser…
Les merBook of Songs III
Book of Songs III for solo cello ble opprinnelig skrevet som et av flere stykker til Ingun Bjørnsgaard Prosjekts danseforestilling ”BOOK OF SONGS” i 2001, og var da for cello og elektronikk. På forespørsel fra Åge Kvalbein våren 2004 skrev jeg en ny versjon av stykket for solo cello, hvor den gunnleggende ideen i elektronikken…
Les merBook of Songs II
Book of Songs I
Rock Crystal
Music theatre based on a text by Adalbert Stifter. There was no snow in the whole valley, but the higher mountains that had been glistening with it for many weeks already were thoroughly covered. Toward the edge of the meadows there was a mountain brook over which led a high, narrow wooden bridge. The children…
Les merBy the Voice a Faint Light is Shed
Love Songs II
Love Songs
Hi – Ophelia!
Four Short Pieces for Ensemble
Breathings
Already a River
A Quiet Space (for ensemble)
Still Panic
Robert Schumann: Dichterliebe
Readings of Mr. G.
In the percussion concerto “Readings of Mr. G” , instrumental and theatrical elements are combined. The percussionist is not only musician, but also speaker also; an actor in the widest sense. The concerto was written especially for the percussionist Hans-Kristian Kjos Sørensen and the Norwegian Chamber Orchestra. The spoken texts are taken from the world…
Les merPerte de Memoire
Hva er igjen av et menneske når hukommelsen blir borte. Hvor mye av det vi anser for å være uløselig knyttet til et menneskes identitet forsvinner, når man ikke lenger kan huske sin nære eller fjerne fortid? En som mister hukommelsen mister ikke bare sine minner men også evnen til å delta i kommunikasjonen rundt…
Les merPublic Behaviour
Petites Machines
Loven : Mange lover, flere liv
LOVEN er et musikkdramatisk verk for mezzosopran, skuespiller, video og orkester og er i sin struktur et moderne oratorium. Forfatteren Øyvind Rimbereid har spent opp et stort lerret. Han har skrevet om loven som idé, alt fra det nære personlige perspektivet til de altomfattende naturlovene som styrer verden. Tekstene og sangene veksler mellom ulike korte…
Les merLike objects in a dark room
Instrument of Speech
Instrument of Speech (wp)
May 26, 2016 Cornerteateret, Festspillene i Bergen, Norway
«Music with the real»
Asamisimasa
Readings of Mr. G (solo version)
April 29, 2016 Sentralen, Oslo
Hans Kristian Kjos Sørensen – percussion, vocals
Peter Knudsen – video
Still Panic (wp)
April 14, 2016 Grieghallen, Bergen, Norway
Diego Lucchesi – bass clarinet
Bergen Philharmonic Orchestra
Edvard Gardner – conductor
Søkk
March 16, 2016 Onassis Cultural Centre and Panteion University, Athens, Greece
Panagiotis Andreoglou – accordion
AS THE LAST BLOW FALLS (wp)
January 8. 2016. Drivhuset, Oslo, Norway
Elisabeth Holmertz – soprano
Kenneth Karlsson – piano
WAVES UNDER WATER (wp)
June 3-4. 2015 Stavanger Concert House, Stavanger, Norway
Stavanger Symphony Orchestra
Torodd Wigum – conductor
FIVE PIECES FOR PIANO (wp)
May 31 – June 2, 2015, Bergen Kjøtt, Bergen International Festival
Håkon Austbø – piano
With Juni Dahr, Håkon Austbø, Anja Sunniva Valseth and Lars Jacob Holm.
PETITES MACHINES (wp)
April 9, 2015 Oslo Concert Hall, Oslo, Norway
Oslo Philharmonic Orchestra
Vasily Petrenko
A quiet Space (wp orchestral version)
March 6, 2015, Oslo Concert Hall, Oslo, Norway
A Quiet Space (Wp. orchestral version)
Oslo Philharmonic Orchestra/ Christian Eggen – Conductor
Robert Schumanns Dichterliebe
March 6, 2015, Oslo Concert Hall, Oslo, Norway
Solveig Slettahjel – song
Oslo Philharmonic Orchestra/ Christian Eggen – conductor
Readings of Mr. G
March 6, 2015, Oslo Concert Hall, Oslo, Norway
Hans Kristian Kjos Sørensen – percussion/voice
Peter Knudsen – video
Oslo Philharmonic Orchestra/ Christian Eggen conductor
PRAEAMBULUM
December 13, 2014, Dansens Hus, Oslo
Ingun Bjørnsgaard Poject
Julia Strelchenko – piano
LOVEN (THE LAW) (WP)
November 27, 2014, Oslo Concert Hall, Norway
Text by Øyvind Rimbereid. Performed by singer Tora Augestad, actor Ander Mordal, Oslo Philharmonic Orchestra and conductor Christian Eggen. Video by Boya Bøckmann, stage direction by Tormod Carlsen.
LIKE OBJECTS IN A DARK ROOM
September 25, 2014, Oslo Concert Hall
Oslo Philharmonic Orchestra
Fabien Gabel – conductor
Places of Sounds and Words
September 11. 2014 · The National Gallery, Ultimafestivalen Oslo, Norway
Elisabeth Holmertz – soprano
Cikada Ensemble
Peter Knudsen – video
Henrik Hellstenius – electronics
LIKE OBJECTS IN A DARK ROOM / IN MEMORIAM
August 18 – 22, 2014, Stavanger Concert Hall
Stavanger Symphony Orchestra
Rolf Gupta – conductor
Peter Herresthal – violin
Recording for BIS
VICTORIA COUNTING II
May 25, 2014, International Festival Bergen, Norway
Victoria Johnson – violin
Henrik Hellstenius – electronics
Victoria Counting II
Music theatre piece for violinist Victoria Johnson, based on field recordings from her domestic life, as well as professional life.
Les merPLACES OF SOUNDS AND WORDS (wp)
May 23, 2014, New Directions Festival, Piteå, Sweden
Elisabeth Holmertz – soprano
Henrik Hellstenius – electronics
Cikada Ensemble:
Karin Hellquist – violin
Torun Stavseng – Cello
Kenneth Karlsson – indan organ
Bjørn Rabben – percussion
OPHELIAS: DEATH BY WATER SINGING (wp recording)
Recording of CD on LAWO records April 27 – May 9 , 2014 at The Norwegian National Opera, Oslo
Les merHI-OPHELIA!
April 27, 2014, Akademi der Künste, Berlin
Ensemble El Perro Andaluz
Lennart Dohms – conductor
DREAM OF LATE
April 5, 2014, Tou Scene – Ny Musikk Stavanger, Norway
Nora Myrset Asheim – violin
LONG PILGRIMAGE
March 29, 2014, The Cello Factory – London Ear Festival
Victoria Johnson – violin
HOW NOT TO BE BORED
March 26/29, 2014, Oslo National Academy of the Arts, Oslo
Njål Sparbo – voice
…WHEN THE LAST BLOW FALLS (wp recording)
March 10/11, 2014, Lofotkatedralen, Vågan, Norway
Marianne Beate Kielland – mezzosoprano
Nils Mortensen – piano
IMPRINTS II (wp recording)
March 9/10, 2014, Academy of Music Katowice, Poland
Szymon Krzeszowiec – violin
Alexander Øllgaard – viola
Jakkob Kullberg – cello
MUGETUFT
February 6, 2015, ANX – Oslo Screen Festival, Oslo
Tellef Øgrim – guitars, electronis
Jakob Janssøn – drums, electronics
Henrik Hellstenius – electronics
Peter Knutsen – live video
MUGETUFT
January 23, 2014, Mind the Gap Nights, Rotterdam
International Film Festival Rotterdam & Gonzo Circus
Tellef Øgrim – guitars, electronis
Jakob Janssøn – drums, electronics
Henrik Hellstenius – electronics
Peter Knutsen – live video
HI OPHELIA!
November 14, 2013, Kampnagel, Hamburg, Germany
November 15, 2013, Kunstverein, Hannover, Germany
Ensemble El Perro Andaluz/Lennart Dohms
AM I A MOUSE, AM I A MONKEY
October 26, 2013, Transit Festival, Leeuven, Belgium
November 6, 2013, Sound of Stockholm, Stockholm, Sweden
November 8, 2013, Novembermusic, s-Hertogenbosch, Netherlands
Elisabeth Holmertz, sopran and Kenneth Karlsson
Indian harmonium
PRAEAMBULUM
October 25, 2013, Tarnow, Poland
Ingun Bjørnsgaard Project
IN MEMORIAM
October 15, 2013, Nordic Music Days, Helsinki, Finland
Peter Herresthal – violin
Tapiola Sinfoietta/Nils Schweckendiek, conductor
READINGS OF MR. G (solo version)
October 8, 2013, Dokkhuset, Trondheim, Norway
Hans Kristian Kjos Sørensen – percussion
LIKE OBJECTS IN A DARK ROOM
August 23, 2013, NRK Radio Music Hall, UNM Festival, Oslo, Norway
The Norwegian Radio Orchesta
REMAINS (wp)
August 17, 2013, Oscarshall, Oslo Chamber Music Festival, Norway
Oslo String Quartet
PRAEAMBULUM
June 18/19, 2013, City Teatre, Kuopio Dance Festival, Finland
Ingun Bjørnsgaard Project
SYNGE OLAVS DRAUMAR
May 25, 2013, Østre, Festspillene i Bergen, Norway
Musical composition of text by Jon Fosse
Singers and actors: Silje Aker Johnsen, Ruth Wilhelmine Meyer, Anders Dale, Svein Solesnes
Stage director: Mette Arnstad
ALREADY A RIVER / A QUIET PLACE
February 2, 2013, Ilios Festivalen, Harstad Kulturhus, Harstad, Norway
Music Conservatory Tromsø Sinfonietta
Lars Lien, conductor
PRAEAMBULUM (WP)
January 31 – february 3, 2013, Dansens Hus, Oslo, Norway
Ingun Bjørnsgaard
Julia Strelchenko – piano